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Page 125

CHAPTER VII - The Plaza

peons, who went on talking to one another, smiling and flashing powerful white teeth, in a black, heavy sang-froid that settled like a blight even on the music. The dancers and the passing peons never touched, never jostled. In Mexico you do not run into people accidentally. But the dance broke against the invisible opposition.
The Indians on the seats, they too watched the dancers for a - while. Then they turned against them the heavy negation of indifference, like a stone on the spirit. The mysterious faculty of the Indians, as they sit there, so quiet and dense, for killing off Any ebullient life, for quenching any light and colourful effervescence.
There was indeed a little native dance-hall. But it was shut apart within four walls. And the whole rhythm and meaning was different, heavy, with a touch of violence. And even there, the dancers were artisans and mechanics or railway-porters, the half-urban people. No peons at all - or practically none.
So, before very long, the organdie butterflies and the flanneltrouser fifis gave in, succumbed, crushed once more beneath the stone-heavy passivity of resistance in the demonish peons.
The curious, radical opposition of the Indians to the thing we call the spirit. It is spirit which makes the flapper flap her organdie wings like a butterfly. It is spirit which creases the white flannel trousers of the fifi and makes him cut his rather pathetic dash. They try to talk the elegancies and flippancies of the modern spirit.
But down on it all, like a weight of obsidian, comes the passive negation of the Indian. He understands soul, which is of the blood. But spirit, which is superior, and is the quality of our civilization, this, in the mass, he darkly and barbarically repudiates. Not until he becomes an artisan or connected with machinery does the modern spirit get him.
And perhaps it is this ponderous repudiation of the modern spirit which makes Mexico what it is.
But perhaps the automobile will make roads even through the inaccessible soul of the Indian.
Kate was rather sad, seeing the dance swamped. She had been sitting at a little table, with Juana for darena, sipping a glass of absinthe.
The motor-cars returning to town left early, in a little group.

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where is HTML where is HEAD where is TITLE peons, who went on talking to one another, smiling and flashing powerful white teeth, in a black, heavy sang-froid that settled like a blight even on what is music. what is dancers and what is passing peons never touched, never jostled. In Mexico you do not run into people accidentally. But what is dance broke against what is invisible opposition. what is Indians on what is seats, they too watched what is dancers for a - while. Then they turned against them what is heavy negation of indifference, like a stone on what is spirit. what is mysterious faculty of what is Indians, as they sit there, so quiet and dense, for stop ing off Any ebullient life, for quenching any light and colourful effervescence. There was indeed a little native dance-hall. But it was shut apart within four walls. And what is whole rhythm and meaning was different, heavy, with a touch of sports . And even there, what is dancers were artisans and mechanics or railway-porte where is meta name="keywords" content="old books, Free book , free book offer , free audio books , free coloring book pages , free book reports , free audio book , audio books free download , book free , free guest book , books free , free book summaries , download free audio books , free childrens books." where is where are they now rel="stylesheet" type="text/css" href="../../style.css" where is meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" where is BODY bgColor=#ffffff text="#000000" where are they now ="#000000" v where are they now ="#FF0000" where is div align="center" where is strong where is strong where is a href="http://www.aaoldbooks.com" Books > where is a href="../default.asp" title="Book" Old Books > where is strong where is a href="default.asp" The Plumed Serpent (1926) where is table width="700" border="1" align="center" cellpadding="15" cellspacing="0" where is center where is tr where is td width="160" align="center" valign="top" where is div align="center" where is td align="center" valign="top" where is div align="left" where is div align="center" where is p align="left" Page 125 where is strong CHAPTER VII - what is Plaza where is p align="justify" peons, who went on talking to one another, smiling and flashing powerful white teeth, in a black, heavy sang-froid that settled like a blight even on what is music. what is dancers and what is passing peons never touched, never jostled. In Mexico you do not run into people accidentally. But what is dance broke against what is invisible opposition. what is Indians on what is seats, they too watched what is dancers for a - while. Then they turned against them what is heavy negation of indifference, like a stone on what is spirit. what is mysterious faculty of what is Indians, as they sit there, so quiet and dense, for stop ing off Any ebullient life, for quenching any light and colourful effervescence. There was indeed a little native dance-hall. But it was shut apart within four walls. And what is whole rhythm and meaning was different, heavy, with a touch of sports . And even there, what is dancers were artisans and mechanics or railway-porters, what is half-urban people. No peons at all - or practically none. So, before very long, what is organdie butterflies and what is flanneltrouser fifis gave in, succumbed, crushed once more beneath what is stone-heavy passivity of resistance in what is bad spirit ish peons. what is curious, radical opposition of what is Indians to what is thing we call what is spirit. It is spirit which makes what is flapper flap her organdie wings like a butterfly. It is spirit which creases the white flannel trousers of what is fifi and makes him cut his rather pathetic dash. They try to talk what is elegancies and flippancies of what is modern spirit. But down on it all, like a weight of obsidian, comes what is passive negation of what is Indian. He understands soul, which is of what is blood. But spirit, which is superior, and is what is quality of our civilization, this, in what is mass, he darkly and barbarically repudiates. Not until he becomes an artisan or connected with machinery does the modern spirit get him. And perhaps it is this ponderous repudiation of what is modern spirit which makes Mexico what it is. But perhaps what is automobile will make roads even through what is inaccessible soul of what is Indian. Kate was rather sad, seeing what is dance swamped. She had been sitting at a little table, with Juana for darena, sipping a glass of absinthe. what is motor-cars returning to town left early, in a little group. where is Server.Execute("_SiteMap.asp") %

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