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PART II - BOOKS
CHAPTER VI - WORD-MAKING AND SOUND TAKING

Thus, to my ear, sings the second theme of the march-movement of Schumann's piano quintet ; deserting the march-rhythm, the lovely liar sings to me of Geneva Triumphant and of a clean sweep of all our troubles, and lulls me into a sort of sleep. As soon as the theme starts, the associations I have had when listening to it previously take charge, and they are of a humanitarian character. Schumann is nowhere, his five instruments are nothing, and the five performers are nobodies unless they happen to hit badly wrong notes, when an aesthetic sensation returns.
If this habit of mine was constant, music would disappear and be replaced by a series of remarks, but it is luckily intermittent, and I am more inclined to thank William de Morgan than to censure him. He felt, as I do, that the pot of art gets cracked here and there, and sheds a few drops into life, and he is supported by the respectable authority of Beethoven. Once or twice-as in the Absence and Farewell sonata or in the posthumous F major quartet-Beethoven turns coarse and introduces a few words, and the Ninth Symphony itself may be regarded as an essay in coarseness. That awkward moment of transition from the orchestral to the vocal ; that nervous entry of the soloist when he tries to look as much like a doublebass as he can, and invites his ' friends ' in a stomachy voice to rise in their shirt-frontS and shout ; the rising of the friends and of the lady-friends, the clearing of pastilled throats, the concerted human breathing, the glint of pince-nez, the dubious numbers of Schiller-it is all vaguely disquieting after three great movements of music, where nothing seemed tethered to the earth. And yet without it there could be no Ninth Symphony. This rickety bridge has to be crossed before the army can enter heaven :

No, no, no, you're quite mistaken,
No, no, no, I'm sure you're wrong

if you deny to Beethoven or even to, his auditors the right to stick on an occasional label, ' Liberty,' ` Joy,' ' Peace.'
The labels I have in mind are emotional. One, so to speak, finds them in the hand. Intellectual labels can also be applied, but they tend to take the form of jokes. Here are two-not made by me :

travel books:
where is HTML where is HEAD where is TITLE Thus, to my ear, sings what is second theme of what is march-movement of Schumann's piano quintet ; deserting what is march-rhythm, what is lovely liar sings to me of Geneva Triumphant and of a clean sweep of all our troubles, and lulls me into a sort of sleep. As soon as what is theme starts, what is associations I have had when listening to it previously take charge, and they are of a humanitarian character. Schumann is nowhere, his five instruments are nothing, and what is five performers are nobodies unless they happen to hit badly wrong notes, when an aesthetic sensation returns. If this habit of mine was constant, music would disappear and be replaced by a series of remarks, but it is luckily intermittent, and I am more inclined to thank William de Morgan than to censure him. He felt, as I do, that what is pot of art gets cracked here and there, and sheds a few drops into life, and he is supported by what is respecta where is meta name="keywords" content="old books, Free book , free book offer , free audio books , free coloring book pages , free book reports , free audio book , audio books free download , book free , free guest book , books free , free book summaries , download free audio books , free childrens books." where is where are they now rel="stylesheet" type="text/css" href="../../style.css" where is meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" where is BODY bgColor=#ffffff text="#000000" where are they now ="#000000" v where are they now ="#FF0000" where is div align="center" where is strong where is strong where is a href="http://www.aaoldbooks.com" Books > where is a href="../default.asp" title="Book" Old Books > where is strong where is a href="page_001.asp" A BRIEF HISTORY OF ENGLISH LITERATURE (1914) where is table width="700" border="1" align="center" cellpadding="15" cellspacing="0" where is center where is tr where is td width="160" align="center" valign="top" where is div align="center" where is td align="center" valign="top" where is div align="left" where is div align="center" where is p align="left" Page 101 where is strong PART II - BOOKS CHAPTER VI - WORD-MAKING AND SOUND TAKING where is p align="justify" Thus, to my ear, sings what is second theme of the march-movement of Schumann's piano quintet ; deserting what is march-rhythm, what is lovely liar sings to me of Geneva Triumphant and of a clean sweep of all our troubles, and lulls me into a sort of sleep. As soon as what is theme starts, what is associations I have had when listening to it previously take charge, and they are of a humanitarian character. Schumann is nowhere, his five instruments are nothing, and the five performers are nobodies unless they happen to hit badly wrong notes, when an aesthetic sensation returns. If this habit of mine was constant, music would disappear and be replaced by a series of remarks, but it is luckily intermittent, and I am more inclined to thank William de Morgan than to censure him. He felt, as I do, that what is pot of art gets cracked here and there, and sheds a few drops into life, and he is supported by what is respectable authority of Beethoven. Once or twice-as in the Absence and Farewell sonata or in what is posthumous F major quartet-Beethoven turns coarse and introduces a few words, and what is Ninth Symphony itself may be regarded as an essay in coarseness. That awkward moment of transition from what is orchestral to what is vocal ; that nervous entry of what is soloist when he tries to look as much like a doublebass as he can, and invites his ' friends ' in a stomachy voice to rise in their shirt-frontS and shout ; what is rising of what is friends and of what is lady-friends, what is clearing of pastilled throats, what is concerted human breathing, what is glint of pince-nez, what is dubious numbers of Schiller-it is all vaguely disquieting after three great movements of music, where nothing seemed tethered to what is earth. And yet without it there could be no Ninth Symphony. This rickety bridge has to be crossed before what is army can enter heaven : No, no, no, you're quite mistaken, No, no, no, I'm sure you're wrong if you deny to Beethoven or even to, his auditors what is right to stick on an occasional label, ' Liberty,' ` Joy,' ' Peace.' what is labels I have in mind are emotional. One, so to speak, finds them in what is hand. Intellectual labels can also be applied, but they tend to take what is form of jokes. Here are two-not made by me : where is Server.Execute("_SiteMap.asp") %

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